|
2019
|
Best Music Video, Long Form
|
Quincy Jones |
Quincy |
|
2002
|
Best Instrumental Arrangement
|
George S. Clinton, Quincy Jones |
Soul Bossa Nova |
|
2002
|
Best Spoken Word Or Non-musical Album
|
Quincy Jones |
Q - The Autobiography Of Quincy Jones |
|
1997
|
Best Instrumental Arrangement Accompanying Vocalist(s)/Best Background Arrangement
|
Quincy Jones, Sam Nestico |
Do Nothin' Till You Hear From Me (Track) |
|
1994
|
Best Music Video, Long Form
|
Miles Davis, Quincy Jones |
Miles And Quincy Live At Montreux (Video) |
|
1994
|
Best Large Jazz Ensemble Album
|
Miles Davis, Quincy Jones |
Miles And Quincy Live At Montreux |
|
1991
|
Best Instrumental Arrangement
|
Jerry Hey, Quincy Jones, Ian Prince, Rod Temperton |
Birdland |
|
1991
|
Best Jazz Fusion Performance
|
Quincy Jones |
Birdland |
|
1991
|
Best Rap Performance By A Duo Or Group
|
Melle Mel, Ice-T, Big Daddy Kane, Kool Moe Dee, Quincy Jones, Quincy D. III |
Back On The Block |
|
1991
|
Album Of The Year
|
Quincy Jones |
Back On The Block |
|
1991
|
Best Pop Instrumental Performance
|
Quincy Jones |
Setembro (Brazilian Wedding Song) (Track) |
|
1991
|
Best Instrumental Arrangement Accompanying Vocalist(s)/Best Background Arrangement
|
Glen Ballard, Jerry Hey, Quincy Jones, Clif Magness |
The Places You Find Love |
|
1991
|
Producer Of The Year, Non-Classical
|
Quincy Jones |
|
|
1989
|
Record Of The Year
|
Michael Jackson |
Man In The Mirror (Single) |
|
1988
|
Album Of The Year
|
Michael Jackson |
Bad (Album) |
|
1988
|
Producer Of The Year, Non-Classical
|
Michael Jackson, Quincy Jones |
Producer Of The Year |
|
1986
|
Record Of The Year
|
Quincy Jones |
We Are The World |
|
1986
|
Album Of The Year
|
Chicago, Peter Cetera, Bill Champlin, Robert Lamm, Lee Loghnane, Walter Parazaider, Chris Pinnick, Danny Seraphine, Quincy Jones, Steve Perry, Bruce Springsteen |
We Are The World-USA For Africa/The Album (Album) |
|
1986
|
Best Music Video, Short Form
|
Tom Trbovich, Quincy Jones |
We Are The World - The Video Event |
|
1986
|
Best Pop Performance By A Duo Or Group With Vocal
|
USA For Africa - Various Artists |
We Are The World |
|
1985
|
Best Instrumental Arrangement
|
Quincy Jones, Jeremy Lubbock |
Grace (Gymnastics Theme) |
|
1985
|
Best R&B Song
|
James Ingram, Quincy Jones, Michael McDonald, Rod Temperton |
Yah Mo B There (Single) |
|
1984
|
Best R&B Instrumental Performance (orchestra,group or soloist)
|
Quincy Jones, Jerry Hey |
Billie Jean (Instrumental Version) (Single) |
|
1984
|
Record Of The Year
|
Michael Jackson |
Beat It |
|
1984
|
Best Recording For Children - Single or Album, Musical or Spoken
|
Michael Jackson |
E.T. The Extra-Terrestrial |
|
1984
|
Producer Of The Year, Non-Classical
|
Michael Jackson, Quincy Jones |
|
|
1984
|
Best R&B Song
|
James Ingram, Quincy Jones |
P.Y.T. (Pretty Young Thing) (Single) |
|
1984
|
Producer Of The Year, Non-Classical
|
Quincy Jones |
Producer Of The Year |
|
1984
|
Album Of The Year
|
Michael Jackson |
Thriller |
|
1983
|
Producer Of The Year, Non-Classical
|
Quincy Jones |
Producer Of The Year |
|
1982
|
Best Instrumental Arrangement Accompanying Vocalist(s)/Best Background Arrangement
|
Jerry Hey, Quincy Jones |
Ai No Corrida |
|
1982
|
Best Musical Theater Album
|
Quincy Jones |
Lena Horne - The Lady And Her Music, Live On Broadway |
|
1982
|
Best Instrumental Arrangement
|
Quincy Jones, Johnny Mandel |
Velas |
|
1982
|
Best R&B Performance By A Duo Or Group With Vocal
|
Quincy Jones |
The Dude |
|
1982
|
Best Pop Instrumental Performance
|
Quincy Jones |
Velas (Track) |
|
1982
|
Album Of The Year
|
Quincy Jones |
The Dude (Album) |
|
1982
|
Producer Of The Year, Non-Classical
|
Quincy Jones |
|
|
1981
|
Best Instrumental Arrangement
|
Jerry Hey, Quincy Jones |
Dinorah, Dinorah |
|
1981
|
Producer Of The Year, Non-Classical
|
Quincy Jones |
Producer Of The Year |
|
1980
|
Producer Of The Year, Non-Classical
|
Quincy Jones |
Producer Of The Year |
|
1980
|
Best Disco Recording
|
Michael Jackson |
Don't Stop 'Til You Get Enough (Single) |
|
1979
|
Best Instrumental Composition
|
Nick Ashford, Quincy Jones, Valerie Simpson |
End Of The Yellow Brick Road |
|
1979
|
Best Instrumental Arrangement
|
Robert Freedman, Quincy Jones |
The Wiz Main Title - Overture Part One |
|
1979
|
Best Arrangement For Voices
|
Nick Ashford, Quincy Jones, Valerie Simpson |
Stuff Like That |
|
1979
|
Producer Of The Year, Non-Classical
|
Quincy Jones |
Producer Of The Year |
|
1978
|
Best Gospel Other: Incl. Sacred, Religious or Inspirational Recording, Musical or Non-Musical
|
Quincy Jones, James Cleveland |
Oh Lord, Come By Here (Track) |
|
1978
|
Best Instrumental Composition
|
Gerald Fried, Quincy Jones |
Roots Medley (Motherland, Roots Mural Theme) |
|
1978
|
Best Arrangement For Voices
|
James Cleveland, Quincy Jones, Johnny Mandel |
Oh Lord, Come By Here |
|
1977
|
Best Instrumental Composition
|
Louis A. Johnson, Quincy Jones, Johnny Mandel |
Midnight Soul Patrol (Single) |
|
1975
|
Best Pop Instrumental Performance
|
Quincy Jones |
Along Came Betty (Track) |
|
1975
|
Best Pop Performance By A Duo Or Group With Vocal
|
Quincy Jones |
Body Heat (Album) |
|
1974
|
Best Instrumental Arrangement
|
Quincy Jones |
Summer In The City |
|
1974
|
Best Pop Instrumental Performance
|
Quincy Jones |
You've Got It Bad Girl (Instrumental Portions) (Album) |
|
1973
|
Best Score Soundtrack For Visual Media
|
Quincy Jones |
$ (Dollars) |
|
1973
|
Best Instrumental Arrangement
|
Quincy Jones |
Money Runner |
|
1973
|
Best Pop Instrumental Performance
|
Quincy Jones |
Money Runner (Single) |
|
1972
|
Best Pop Instrumental Performance
|
Quincy Jones |
Smackwater Jack |
|
1971
|
Best Instrumental Arrangement
|
Quincy Jones |
Gula Matari (Single) |
|
1971
|
Other Pop/Rock&Roll/ Contemporary Awards or Instrumental
|
Quincy Jones |
Soul Flower |
|
1971
|
Best Instrumental Composition
|
Quincy Jones |
Gula Matari |
|
1971
|
Best Large Jazz Ensemble Album
|
Quincy Jones |
Gula Matari |
|
1970
|
Best Score Soundtrack For Visual Media
|
Quincy Jones |
Mackenna's Gold (Album) |
|
1970
|
Best Instrumental Composition
|
Quincy Jones |
Mackenna's Gold (Main Title) (Album) |
|
1970
|
Best Score Soundtrack For Visual Media
|
Quincy Jones |
The Lost Man (Album) |
|
1970
|
Best Instrumental Arrangement
|
Quincy Jones |
Walking In Space |
|
1970
|
Best Large Jazz Ensemble Album
|
Quincy Jones |
Walking In Space |
|
1968
|
Best Score Soundtrack For Visual Media
|
Quincy Jones |
In The Heat Of The Night (Album) |
|
1965
|
Best Instrumental Arrangement
|
Quincy Jones |
Golden Boy (String Version) (Single) |
|
1965
|
Best Pop Instrumental Performance
|
Quincy Jones |
Golden Boy (String Version) |
|
1965
|
Best Original Jazz Composition
|
Quincy Jones |
The Witching Hour |
|
1965
|
Best Large Jazz Ensemble Album
|
Quincy Jones |
Quincy Jones Explores The Music Of Henry Mancini |
|
1964
|
Best Instrumental Arrangement
|
Quincy Jones |
I Can't Stop Loving You |
|
1964
|
Best Pop Instrumental Performance
|
Quincy Jones |
Quincy Jones Plays The Hip Hits |
|
1964
|
Best Large Jazz Ensemble Album
|
Quincy Jones |
Quincy Jones Plays The Hip Hits |
|
1963
|
Best Instrumental Arrangement
|
Quincy Jones |
Quintessence |
|
1963
|
Best Original Jazz Composition
|
Quincy Jones |
Quintessence |
|
1963
|
Best Pop Instrumental Performance
|
Quincy Jones |
Big Band Bossa Nova |
|
1962
|
Best Pop Instrumental Performance
|
Quincy Jones |
I Dig Dancers |
|
1961
|
Best Arrangement Accompanying A Vocalist Or Instrumentalist
|
Quincy Jones |
Let The Good Times Roll |
|
1961
|
Best Large Jazz Ensemble Album
|
Quincy Jones |
The Great Wide World Of Quincy Jones |